
Cinema EOS C200: Canon’s Inbetweener
Canon’s Super 35mm C200 offers a cheaper vehicle for 4K cinematic shooting, if it fits your workflow.
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Canon’s Super 35mm C200 offers a cheaper vehicle for 4K cinematic shooting, if it fits your workflow.
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Canon says the XC10 is a hybrid stills and video camera. We find it has superb image quality, but some flaws. […]
Atomos field recorders to come in basic kits, and Shogun gains RAW, anamorphic, Cinema 4K
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Canon updates its EF 100-400mm f/4.5-5.6L IS USM telephoto zoom to mkII spec […]
Canon’s new 7D Mark II, flagship APS-C DSLR is a step forward for video […]
Canon’s dual pixel CMOS AF upgrade is a significant boost to the C100’s capabilities. We put it to the test. […]
New lenses give additional wide angle options for full frame, APS-C and Super35mm EF mount cameras. […]
New 4K glass brings ENG-style lens control to the C300 and C500 camcorders. […]
RC-V100 remote unit will control Cinema EOS cameras and XF series camcorders, whilst the C300 gains Dual-pixel CMOS AF […]
Arri’s new ProRes, shouldermount camcorder aims at run and gun film making. […]
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